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Berlin premiere of The Moment with Charli XCX turns spotlight on pop industry and the brat cult

By boriskov · Published on February 17, 2026

Berlin premiere of The Moment with Charli XCX turns spotlight on pop industry and the brat cult

At the 76th Berlin International Film Festival, the European premiere was held for The Moment, directed by filmmaker and music-video director Aidan Zamiri. The lead role was played by Charli XCX, who effectively appears as her own screen alter ego. The film explores the relationship between the artist and the music industry, and how a popular persona is converted into a commercial asset.

The film starts from the brat phenomenon linked to the singer’s album of the same name, released in the summer of 2024. That season also popularized the phrase brat summer. In Charli’s own description, brat is a self-assured party girl with plenty of problems, possibly on the edge of a breakdown. The aesthetic proved especially appealing to Generation Z and therefore quickly became profitable for the industry.

The story shows studio executives trying to stretch a successful moment far beyond its natural life. The plot unfolds during Charli’s world tour, beginning in September 2024 and ending with a major concert in London. A star director, Johannes, is brought in to film the show, played by Alexander Skarsgard. With the manner of a guru, he gradually forces the singer’s image into the mold of the mainstream.

The filmmakers present not a glossy idol but a vulnerable version of the protagonist. On screen, Charli is irritable and selfish, leaves for Ibiza during a final rehearsal, betrays a close friend, and becomes involved in a financial scam through carelessness. At the same time, the film does not portray her as either a martyr or a pure victim of the system: she is also a participant in the machinery that manufactures and sells her public identity.

Among the supporting performances, Rosanna Arquette stands out as the head of a record company. In the critic’s view, The Moment does not offer a new thesis about the dependence of artists on show business, but it does speak frankly about the fear of losing popularity and the “pulse of the moment.” In that sense, brat appears not only as a style of confidence and excess, but also as anxiety about aging, change, and the inevitable decline of public attention.

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